Trinick joined Waite's Fellowship of the Rosy Cross as a young man when he painted these Keys. These were probably painted three or four years (circa 1914/1915) after Pamela Coleman Smith completed the deck on which Case based his BOTA version. Papers of Waite indicate that he already had his ideas for the 'secret' Keys while the 'public' set was being produced.
There are at least three version produced. The large
coloured ones, small coloured, and small black and white. There are minor differences
between all three. Displayed here are copies of copies some of the beautiful
finer detail cannot be seen.
Many thanks to T.F. for the above text and graciously making these scans
available.
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